Examiner Zhiyu Lu has allowed 444 of 906 decided applications in Communications.
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Within 36 months of the first office action, 36.88% of Examiner Zhiyu Lu's applications had been granted and 38.4% had been abandoned. This counts each application from its own first office action, so it covers a different population than the overall allowance rate above, which is measured across decided applications only.
Counts mailed office actions on the merits — non-final and final — over this examiner's 444 allowed applications. A first-action allowance counts as zero, and a notice of allowance is not an office action.
The weighted peer average (1.47) blends the per-art-unit averages, weighted by this examiner's allowed applications in each: 2665 (1.29), 2649 (1.69), 2618 (1.95), 2669 (1.49). Each art-unit figure is the unweighted mean of the individual examiner values in that art unit — the peer-typical figure, not the art unit's own ratio.
Zhiyu Lu maintains a public record in Technology Center 2600 (Communications) spanning four art units: 2618, 2649, 2665, and 2669. Across hundreds of decided applications pooled from these art units, the examiner's allowance rate stands at 49%. The allowance rate—the percentage of applications that were allowed among all decided (allowed and abandoned) applications—ranges from 25% to 70% across the examiner's art units with substantial records. This range reflects variation in outcomes within different subject-matter clusters under TC 2600. The pooled figure of 49% represents the examiner's aggregate performance across this diverse set of examination areas.
A pooled record aggregates outcomes across multiple art units into a single allowance rate. This aggregate figure describes historical outcomes in past applications and is not predictive of any individual pending application. Variation across art units—shown here as a 25% to 70% range—is common and reflects differences in subject matter, prosecution patterns, and applicant behavior within each unit. The pooled rate serves as a reference point for the examiner's overall record; individual art-unit detail is separately available.
These are aggregate statistics from this examiner's past public record — not predictions about any specific application. The per-art-unit figures below show how the record varies across art units. Our approach to patent prosecution →
Appeal outcomes are counted from USPTO transaction records. Where an examiner has few appeals on record, these figures describe what happened in those cases and should not be read as a rate.
Categories report what happened to the appeal, not the application's final fate — most appeals resolve without a Board decision, and an application whose rejection the Board affirmed can still be granted afterward.
These figures describe outcomes already on the public record. They do not predict the outcome of any application and are not legal advice.
Reassigned applications. The USPTO publishes only the examiner currently assigned to an application. Where an application has changed examiners, its entire history — including office actions issued by a predecessor — is attributed here to the current examiner.
Examiner identity. The USPTO publishes no stable examiner identifier. Identity on this site is derived from the examiner's published name together with the art unit. An examiner's record is pooled across the art units they worked in within a technology center. An examiner who has worked in more than one technology center appears here more than once, with their record split between those pages. Two examiners who share a name within a single art unit may be combined into one record.
Comparing across technology centers. Rejection-ground rates (§101, §102, §103, §112) track the subject matter a technology center examines, not examiner severity. Technology Center 2600's rates are comparable with other art units inside TC 2600 and are not comparable with rates from a different technology center.
Comparing examiners. An examiner's rates are shown here against the average for their art unit, which is the closest available comparison because art units group related subject matter. Comparisons get less reliable the further you move from that — between art units, and especially between technology centers, differences in subject matter, applicant population, and prior art make raw rate comparisons misleading. Where an examiner has few applications on record, small changes in the underlying data move the percentages a great deal.
Applications not counted. An application whose currently assigned examiner has moved to a USPTO business unit outside the examining technology centers is absent from this record, together with every office action on it — even where those actions issued while the application sat in an art unit shown here.
Coverage is incomplete. This site does not include every patent application. Applications that may not appear here include those examined in technology centers not listed on this site; those that moved elsewhere within the Office, such as to the Patent Trial and Appeal Board on appeal, to central reexamination, to the Office of Petitions, or to design or plant examination; those never published, including applications filed with a nonpublication request and those abandoned before publication; provisional applications, which are not examined on the merits; anything filed or acted on after the refresh date above; and individual applications or office actions that the USPTO's public services did not return when we retrieved them. That list is illustrative, not exhaustive.
Counts may be low. The individual outcomes described here are matters of public record. The counts and rates computed from them are ours, and they are incomplete. Because of those gaps a count here may be lower than the true figure. We cannot state the size of the difference, and it is not uniform — one examiner's page may be close to complete while another's is materially short. Rates are computed from these same counts, so the uncertainty sits in both the numerator and the denominator. Do not treat a figure here as a count of record; verify against Patent Center, PatentsView, or the Patent Examination Data System before relying on it.
An absent figure. Where a figure is absent, we did not retrieve the underlying records. It does not mean the value is zero, and it does not mean the USPTO holds no such records.
Rejection-ground retrieval. Office-action rejection records are retrieved from the USPTO's office-action dataset in date-bounded batches sized so that each is returned whole in a single response. Retrieved this way, repeated pulls return the same set of records — the retrieval is reproducible. That is a property of our retrieval, not a guarantee that the USPTO dataset itself is complete; the coverage caveats above apply to these figures as to every other.
Compiled from USPTO records as published on August 27, 2026. Prosecution continues after that date and is not reflected here.
Each section benchmarks this examiner against that art unit's average. Figures are this examiner's own public record within the art unit; the overall rate above pools them.
Grounds can co-occur, so the four don't sum to 100%. The art-unit figure is the unweighted mean across examiners in the art unit; where an art unit has no computed average for a ground, that row says so rather than showing a comparison.
Allowance rate for applications with an examiner interview versus without one.
A correlation, not proof that interviews cause allowances. Based on 133 decided applications with an interview and 247 without.
Grounds can co-occur, so the four don't sum to 100%. The art-unit figure is the unweighted mean across examiners in the art unit; where an art unit has no computed average for a ground, that row says so rather than showing a comparison.
Allowance rate for applications with an examiner interview versus without one.
A correlation, not proof that interviews cause allowances. Based on 47 decided applications with an interview and 215 without.
Grounds can co-occur, so the four don't sum to 100%. The art-unit figure is the unweighted mean across examiners in the art unit; where an art unit has no computed average for a ground, that row says so rather than showing a comparison.
Allowance rate for applications with an examiner interview versus without one.
A correlation, not proof that interviews cause allowances. Based on 24 decided applications with an interview and 188 without.
Grounds can co-occur, so the four don't sum to 100%. The art-unit figure is the unweighted mean across examiners in the art unit; where an art unit has no computed average for a ground, that row says so rather than showing a comparison.
Allowance rate for applications with an examiner interview versus without one.
A correlation, not proof that interviews cause allowances. Based on 18 decided applications with an interview and 34 without.
Lynch LLP represents applicants in patent prosecution before the USPTO. These are general resources about the firm's services — not advice about this examiner or any specific application.
Methodology. This page pools every art unit in which Examiner Zhiyu Lu has a public record within Technology Center 2600. Statistics are computed from publicly available USPTO records, refreshed on a recurring schedule. This page's data was last updated August 27, 2026. The overall allowance rate is total allowed divided by total decided applications (allowed plus abandoned) across all art units — not an average of the per-art-unit rates; pending applications are excluded. Figures are rounded for display. Pooled sample: 994 applications.
Rejection rates. Each §-rate is the share of this examiner's applications that drew at least one office-action rejection in which that statutory ground appears; applications with no rejection on record are excluded, and because grounds can co-occur the four do not sum to 100%. The art-unit figure beside each is the unweighted mean of the per-examiner rates across the art unit, published for §101 and §103 only. Beside the overall allowance rate we show a benchmark: for a single-art-unit examiner it is exactly that art unit's average, labeled “art-unit average”; for an examiner spanning several art units it is the “weighted peer average” — the per-art-unit averages, weighted by this examiner's application count in each — labeled distinctly because it is a blended figure, not any single art unit's average. Both are built from the same per-art-unit averages the panels show.
Office actions per allowance. Mailed office actions on the merits — non-final and final — averaged over this examiner's allowed applications. A first-action allowance counts as zero and is included; a notice of allowance is not an office action. The comparison figure is built the same way as the allowance-rate benchmark — from each art unit's own average for this measure — weighted here by this examiner's allowed applications in each art unit, since that is this measure's own denominator. Each art unit's figure is the unweighted mean of its examiners' individual values, so it is the peer-typical figure rather than the art unit's own ratio.
Lynch LLP is not affiliated with, endorsed by, or sponsored by the United States Patent and Trademark Office. Examiner statistics are derived from publicly available USPTO data.
These statistics describe past examiner behavior and do not predict the outcome of any particular application. Past results do not guarantee future outcomes. Where this page compares an examiner's allowance rate to an art-unit average, that comparison is a factual description of the public record, not a characterization of any individual examiner's conduct or competence.
This page is for general informational purposes and is not legal advice. No attorney-client relationship is formed by viewing it. Consult a registered patent practitioner about your own matter. These figures are reproduced and recombined by Lynch LLP from the USPTO's Patent File Wrapper bulk archive and Open Data Portal APIs; they are not an official USPTO publication, and the USPTO has not reviewed, endorsed, or verified them. If a page here is wrong, tell us at lynchllp.com/contact and we will correct or remove it. Full disclaimers →
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